Showing posts with label research. Show all posts
Showing posts with label research. Show all posts
Tuesday, 27 November 2012
Anuvahood - Candidates Own Experience of Media Consumption
Monday, 26 November 2012
Anuvahood - Issues Raised in the Targeting of National and Local Audiences
Adam Deacon is a well known English film actor, rapper, writer and director. He is previously known from his lead role in Kidulthood and his directional debut and role in Anuvahood. Being a well recognized actor and known for his roles in urban street films, there would have been no question about his name being a huge attraction of British, local audiences, and therefore would automatically be a great marketing tool for the film within the UK. As well as this, Anuvahood was Adam Deacon's first film that he directed, and so critics, fans and bloggers would have been highly anticipating what he would have to offer and whether or not he made the right decision of directing the film himself (as he has previously stated that "I was too street and too scary for directors") suggesting that Anuvahood may have been like no other urban film that has been released. Previous films such as Kidulthood and Adulthood would also have an existiting audience that would be attracted to see Anuvahood, however, the majority of these audiences are locally based in the UK. Targeting worldwide audiences was an issue for Revolver Entertainment due to the small budget and the relatively unknown cast outside of the UK. Therefore there was minimum marketing used worldwide as this was not possible within the budget and was predicted to be unsuccessful and a waste of valuable money, creating a small worldwide audience and a lack of potential sales.
Anuvahood - Technological Convergence
Anuvahood has an official iTunes app that can be installed onto any iPhone, iPad etc. for free. This convergence in technology has helped the film market and publicise itself, even for months after the official UK release. Although this won't primarily ignite a financial boost for the film's producers, it will boost word of mouth and in the long term, may help encourage an increase in sales for the film.
As well as this, Adam Deacon managed to team up with JME to release 'Hype Hype Ting' the single and publicise the film even further. Big names, like JME, attract the right audiences to Anuvahood as his fan base is the younger teenage generation. Both of these examples of the use of technological convergence by Anuvahood demonstrates how it can be used to promote the film in various ways that will attract a specific audience. Films such as Anuvahood command a niche market from diverse backgrounds that is hard to replicate and draw in to see a film, but using apps and singles to publicize the film will dramatically help Revolver Entertainment when distributing the film and making it accessible. As well as this, Anuvahood used the internet to it's advantage by releasing official trailers, 'Anuvahood Cast Freestlye' videos to be viewed on YouTube and also filming their Anuvahood Bus Tour around the UK and also releasing the various videos virally. Anuvahood has also used other social networking sites when publicizing their film, for example their popular Twitter (5,004 followers) and Facebook (204,969 likes). Anuvahood use the internet and technology to their full advantage when promoting the film, as this is the most successful way to appeal to their small market, without breaking the low budget.
Sunday, 25 November 2012
Anuvahood - The Significance of Proliferation in Hardware and Content
Films such as Anuvahood are now usually sold to online film distributors, such as Netflix and LoveFilm, as audiences have dramatically changed their viewing habits due to the development in technology in media. Teenage viewers, especially, no longer feel the need to spend extortionate amounts of money on a trip to the cinema to see a film when they can either buy it on DVD/Blu-Ray as a long term investment or even rent the film from an online distributor and watch it on their laptop or download it onto their smart phone/tablet. The introduction of home cinema has influenced the way that film companies have to alter the way they work as they have to consider their production, distribution, and marketing to fit the majority of audiences that prefer to watch a film in the warmth and comfort of their lounge and to publicise the other windows that the film has to offer, e.g. DVD, Blu-Ray, online distributors. However this may not be the case for a film such as Anuvahood as the target market for a film such as this is a younger audience, who tend to view films on their smart phones or on the internet rather than buying the long term DVD because it is cheaper in the short term to do so.
Also, with the forever increasing usage of smart phones, the film industry has had to adapt to the change when it comes to marketing their product and advertising it. For example, there is an Anuvahood app available to download on iTunes for the iPhone, which includes the voices of each main cast member, and a quiz on how 'gangster' you are, publicising the film even after it's release.
Also, with the forever increasing usage of smart phones, the film industry has had to adapt to the change when it comes to marketing their product and advertising it. For example, there is an Anuvahood app available to download on iTunes for the iPhone, which includes the voices of each main cast member, and a quiz on how 'gangster' you are, publicising the film even after it's release.
Friday, 23 November 2012
Anuvahood - Technologies Introduced in Recent Years
Since the release of Anuvahood, the film has relied heavily on Blu-Ray/DVD sales to contribute to it's success. The DVD/Blu-Ray is crammed full of 'exclusive extra features' such as cast and crew interviews, 'the making of', the west end premiere, Levi Roots - cooking with the cast, Hype Hype Ting music video (Boy Better Know, JME & Adam Deacon), behind the scenes footage, comic strips and the theatrical trailer - All of which are promoted in an attempt to advertise the DVD. There is a direct link that appears on the official website of Anuvahood so that audiences can "order yours now"and takes you straight through to play.com so that you can order a physical copy of the film. As well as this, Aunvahood is also available to download and is on-demand, making the film even more accessible for the public, as watching films through internet streaming or smart phones (because of downloadable content) is becoming increasingly popular amongst the target audience of a film such as Anuvahood. The film was not to be released in 3D because of the small budget that the film had and so this particular introduction in technology did not effect the way that the audience watched or bought the film.
Thursday, 22 November 2012
Anuvahood - Cross Media Convergence
Gunslinger Productions was the only studio to produce the film, however it then worked together with Revolver Entertainment to distribute the film and make it accessible to the public. Revolver Entertainment has bases in London and West Hollywood and is therefore able to distribute heavily in those two areas. As these are only two moderately small companies, they are not able to use their size to promote and publicize the film very successfully. However, the two companies work together to promote their business' when making and promoting a film; If Anuvahood recieved a positive crtical response from the public and the media, then the companies that produced and distributed it will therefore also recieve a positive response, resulting in possibly more awareness and recognition of their companies in the future. However, it is also possible for a company to be 'trashed' by the public or the media and, consequently, their company could recieve negative, unwanted attention, which could be significantly damaging to their company.
Working on Anuvahood would have been a great risk for both of the companies producing/distributing it as the film was supposedly the first of it's genre 'urban comedy' and so Revolver and Gunslinger did not effectively know how well it would be recieved, putting themselves at risk.
Anuvahood - Media Ownership
Anuvahood was directed by Adam Deacon, Daniel Toland and Najama Dahir, and was produced by Nick Taussig, Paul Van Carter, Daniel Toland and Terry Stone. The writers included Adam Deacon and Michael Vu, who together wrote a British urban comedy film. Adam Deacon is a well known actor and director and would've been known previously for his lead role in Kidulthood, his background in urban films influenced the type of film that he was setting out to make and therefore would have had an impact on the success of the film also.
Adam Deacon had a budget of $1,000,000 and therefore was dealing with a small film that was not guaranteed to be successful as the budget would not be able to market the film hugely. Consequently, this only attratced a small production company (Gunslinger), however, a relatively well known distributor (Revolver Entertainment) became involved with film.
Revolver Entertainment is well known for it's promotional stunts and are the leader in social media marketing with over 10,000 Twitter followers and 9,000 Facebook subscribers, a great helping hand in creating publicity for the 'first urban comedy film' Anuvahood. Revolver Entertainment has also distributed similar films to Anuvahood, such as Kidulthood, and so therefore will attract fans of the previous films and know how to make the film accessible to audiences of the urban film industry. Revolver Entertainment would have, therefore, been a massive influence on Anuvahood's potential success as a film.
Gunslinger Productions are a small, un-heard-of production company and, consequently, will not have the advantage of attracting fans of the previous films that they have worked on. Therefore, this supports the general idea that small companies make small films and don't tend to make a substantial amount of money as a result.
Adam Deacon had a budget of $1,000,000 and therefore was dealing with a small film that was not guaranteed to be successful as the budget would not be able to market the film hugely. Consequently, this only attratced a small production company (Gunslinger), however, a relatively well known distributor (Revolver Entertainment) became involved with film.
Revolver Entertainment is well known for it's promotional stunts and are the leader in social media marketing with over 10,000 Twitter followers and 9,000 Facebook subscribers, a great helping hand in creating publicity for the 'first urban comedy film' Anuvahood. Revolver Entertainment has also distributed similar films to Anuvahood, such as Kidulthood, and so therefore will attract fans of the previous films and know how to make the film accessible to audiences of the urban film industry. Revolver Entertainment would have, therefore, been a massive influence on Anuvahood's potential success as a film.
Gunslinger Productions are a small, un-heard-of production company and, consequently, will not have the advantage of attracting fans of the previous films that they have worked on. Therefore, this supports the general idea that small companies make small films and don't tend to make a substantial amount of money as a result.
Sunday, 18 November 2012
Friday, 16 November 2012
Prometheus - Candidates Own Experience of Media Consumption
The developments in technology used in media during recent years has definitely had a positive effect on the film industry. With advancements in technology, such as CGI, allows films like Prometheus to have incredible realistic effects that have a great impact on the audience making the aliens realistic and believable. This development in technology in production and editing also means that the horrifying scenes within Prometheus can be made in such a way that it scares the audience - creating a strong atmosphere in the place of exhibition, for example the cinema. This certain aspect of the use of technology in media has always had a positive effect in the way that Ridley Scott directs his scary scenes, such as the 'alien chest burst' in the first Alien, which would have horrified the audience at that time. This enabled Prometheus to match up to the genre of a sci-fi horror and achieve it. I also feel that the distributor for Prometheus, 20th Centruy Fox, made the film very accessible for the public and assisted the producers a great deal with doing so. Thursday, 15 November 2012
Prometheus - The Targeting of National and Local Audiences
The target audience for Prometheus was close to a worldwide market due to the high status that accompanied the film, which was 20th Century Fox, the distributors for Prometheus. This successful distribution allowed the film to become accessible for almost all audiences and targeted viewers. Ridley Scott is a famous English sci-fi film producer and director, mostly known for his series of Alien, this would have impacted and influenced the British audience to go and see Prometheus. As well as this, Alien fans would have also been highly anticipating the film because of the previous work done by Ridley Scott, which they have been entertained by so far.
Prometheus proved a hit as it's total domestic gross ended up as $126,477,084.
Prometheus proved a hit as it's total domestic gross ended up as $126,477,084.
Prometheus - Technological Convergence
Prometheus had a fairly big budget of $130 million and therefore the technological convergence within the film was quite large, along with this, technological advancements and developments in the technology used in media have made it possible for sic-fi films such as Prometheus to be made via such a standard of digital effects and CGI. There was pressure on the effects to match up to the standard of the previous Alien films (as they were incredible in their time of release) and so, consequently, added to the anticipation of it's release.
As well as this, various films and clips are available to download on iTunes, including a Behind the Scenes package that is available to download for free, which includes "In Character with Guy Pearce" and so on. This is from 20th Century Fox's movie channel on iTunes and is another example of how well known and respected distributors can publicise a film successfully.
As well as this, various films and clips are available to download on iTunes, including a Behind the Scenes package that is available to download for free, which includes "In Character with Guy Pearce" and so on. This is from 20th Century Fox's movie channel on iTunes and is another example of how well known and respected distributors can publicise a film successfully.
Prometheus - The Significance of Proliferation in Hardware and Content
Films such as Prometheus now tend to be sold to online film distributors, such as Netflix and LoveFilm, as audiences have dramatically changed their viewing habits due to the development in technology in media. Viewers no longer feel the need to spend extortionate amounts of money on a trip to the cinema to see a film when they can either buy it on DVD/Blu-Ray as a long term investment or even rent the film from an online distributor and watch it in the comfort of their own home. The introduction of home cinema has influenced the way that film companies have to alter the way they work as they have to consider their production, distribution, and marketing to fit the majority of audiences that prefer to watch a film in the warmth and comfort of their lounge and to publicise the other windows that the film has to offer, e.g. DVD, Blu-Ray, online distributors.
Also, with the forever increasing usage of smart phones, the film industry has had to adapt to the change when it comes to marketing their product and advertising it. As for the Weyland Industries website, Ridley Scott is able to apply a setting so that iPhone and other smart phone users can view it, increasing the publicity of the film even further. This proliferation in hardware has boosted the publicity of Prometheus even further than the already successful viral marketing. Prometheus - Cross Media Convergence
Scott Free Productions and Brandywine Productions worked together to produce the film. Scott Free Productions is an English film production company owned by Scott Ridley himself, the director and producer of Prometheus. Brandywine Productions, however, is an American film production company most known for the Alien film franchise. The company was founded by American filmmakers Walter Hill, David Giler and Gordon Carroll. These two small production companies are both familiar with the Alien franchise and so could work together effectively to produce Prometheus at it's best. The film was then passed on to 20th Century Fox to distribute Prometheus in Belgium, France, and Switzerland (May 30th 2012), United Kingdom (June 1st 2012), and in North America (June 8th 2012). Having a major distributor such as 20th Century Fox meant that the film would be largely distributed in these countries, creating lots of extra publicity for the film, this would have been worth the extra expense of having such a well known distributor on board. Although Prometheus relied heavily upon viral marketing as a way of generating anticipation for the film, such a large distributor would have also been a significant factor of it's success as a film.
Prometheus - Technologies Introduced in Recent Years
Blu-Ray advertisement
The advertisement of Prometheus on Blu-Ray influenced the majority of Prometheus viewers to buy the DVD once it had been released, as it offered an alternative ending and beginning to the film. This was so effective because of the massive cliffhanger that we were left with at the end of the film, and the alternative ending may answer our questions as an audience, which appeals to the fans of the Alien series. This boosted sales of Prometheus after the initial releases in cinema, as people who wanted to see the film but were put off by the extortianate prices for a ticket much preferred the investment of Blu-Ray or DVD as a long time product, which they can view over and over. There is also said to be seven hours worth of special features, and an interactive game that you can complete using your tablet. Online distributors also contribute to the success of a film, such as Prometheus, because of their wide variety of films that people can access and rent out. These recent techniques in distributing are increasing in popularity and some companies are becoming extremely well known. e.g. Netflix or LoveFilm. However, free internet streaming of the film has had a negative effect on the success of the film industry, as it is becoming more popular especially with the teenage market. Although this way of viewing the film is illegal, it is still possible to find a decent quality copy of the film online for free - Consequently having a negative effect on the sales of the film. The recent introduction of a 3D cinema experience changes the way the film industry now makes films in the production stages, as more technical and special effects need to be considered when filming, possibly making the process more complicated and difficult, but getting a good response in sales at the end of it. This also has a positive knock-on effect of cinema sales as more people want the real-life experience of 3D and are willing to pay for the benefits. The introduction of IMAX has also benefited Prometheus and, in London's Waterloo, one screen took more than £500,000 in advance ticket sales. IMAX is becoming increasingly popular amongst films such as Prometheus, which has some of the best effects running continuously throughout the film, and to see such effects on a 20 metre high IMAX screen is something sci-fi fans are, evidently, highly anticipating.
The advertisement of Prometheus on Blu-Ray influenced the majority of Prometheus viewers to buy the DVD once it had been released, as it offered an alternative ending and beginning to the film. This was so effective because of the massive cliffhanger that we were left with at the end of the film, and the alternative ending may answer our questions as an audience, which appeals to the fans of the Alien series. This boosted sales of Prometheus after the initial releases in cinema, as people who wanted to see the film but were put off by the extortianate prices for a ticket much preferred the investment of Blu-Ray or DVD as a long time product, which they can view over and over. There is also said to be seven hours worth of special features, and an interactive game that you can complete using your tablet. Online distributors also contribute to the success of a film, such as Prometheus, because of their wide variety of films that people can access and rent out. These recent techniques in distributing are increasing in popularity and some companies are becoming extremely well known. e.g. Netflix or LoveFilm. However, free internet streaming of the film has had a negative effect on the success of the film industry, as it is becoming more popular especially with the teenage market. Although this way of viewing the film is illegal, it is still possible to find a decent quality copy of the film online for free - Consequently having a negative effect on the sales of the film. The recent introduction of a 3D cinema experience changes the way the film industry now makes films in the production stages, as more technical and special effects need to be considered when filming, possibly making the process more complicated and difficult, but getting a good response in sales at the end of it. This also has a positive knock-on effect of cinema sales as more people want the real-life experience of 3D and are willing to pay for the benefits. The introduction of IMAX has also benefited Prometheus and, in London's Waterloo, one screen took more than £500,000 in advance ticket sales. IMAX is becoming increasingly popular amongst films such as Prometheus, which has some of the best effects running continuously throughout the film, and to see such effects on a 20 metre high IMAX screen is something sci-fi fans are, evidently, highly anticipating.
Prometheus - Media Ownership
20th Century Fox also backed and distrubted the earlier films within the Alien franchise, continuing with Ridley Scott's strand of films. This would attract audiences and fans of the earlier Alien films to see Prometheus, also increasing the success of the film.
20th Century Fox distributing Prometheus follows the traditional theory of 'big companies make/distribute big films' and therefore make all the money.
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